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Régis Loisel s'est pourtant attelé à la tâche avec grâce et humilité, mêlant ainsi les ambiances féeriques et lumineuses de James Matthew Barrie aux atmosphères londoniennes sombres mais romantiques de Dickens. Non content de s'approprier avec brio un classique de la littérature, Loisel fit entrer le lecteur ébahi dans les méandres tourmentés de la psychologie humaine, maniant avec honnêteté des notions délicates et taboues, comme la maternité non assumée, la violence des enfants, la vengeance, le complexe d'OEdipe...
La première aventure de Tintin en couleurs. Tintin au pays des Soviets reste le seul album de Tintin uniquement disponible à ce jour dans sa version noir et blanc. Créée en 1929 et restée introuvable en librairie jusqu'en 1973, cette première grande histoire marque la naissance de Tintin. C'est avec un plaisir presque enfantin, guidé par l'esprit du jeu et le désir de vitesse qu'Hergé s'adresse au lecteur dans cette course-poursuite où avions, voitures, trains, hors-bords et motos ! lent à toute allure. Si le dessin ne s'inscrit pas encore dans la perfection du style « ligne claire », le jeune auteur de 21 ans démontre déjà son habileté de romancier en images. Le sens dynamique du mouvement, la maîtrise de l'enchaînement des plans et la construction des pages expriment ce talent de raconter par l'image qui fera d'Hergé un grand maître
Pour les habitants de la basse ville, il est le Scorpion. Les hommes l'évitent, redoutant son épée plus virevoltante que la nuée de moustiques d'une chaude nuit d'été. Les femmes le cherchent, fascinées par la prestance de ce beau brun qui sait les aimer comme personne. Pour les habitants de la haute ville, il est Armando Catalano, l'homme à la perruque poudrée qui sait dénicher aux fins fonds des catacombes romaines les reliques des saints de l'antiquité et du Moyen âge que princes et évêques s'arrachent à prix d'or. Pour le cardinal Trebaldi, l'impitoyable maître des moines-guerriers, l'homme qui n'hésite pas à faire empaler dans son confessionnal un prêtre trop bavard, il est le témoin d'une époque maudite qui doit disparaître. Pour cela Trebaldi demandera à une gitane égyptienne experte en poisons de lui apporter la peau de l'homme qui porte sur l'épaule droite un tatouage en forme de scorpion. Tatouage infamant rappelant à tous que la mère du héros a péri brûlée vive sur le bûcher réservé aux sorcières. Mais la gitane manquera son coup, déchaînant la colère du Scorpion. Les murs du Vatican en tremblent encore.
