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Recueil collectif de BD initié par Thibault Balahy et produit par Café Creed. 22 personnes y questionnent la figure du monstre dans les différents domaines de la création. Qu'est ce qu'un montre ? Qu'est ce que le monstrueux ? De Jérôme Bosch à David Cronenberg en passant par Hayao Miyazaki, Art Monstre propose 20 réponses subjectives autour de 20 artistes marquants. Ce panorama, non exhaustif, permettra à chacun de découvrir ou redécouvrir des regards singuliers sur la part d'ombre de l'Art et de l'humain.
Figure majeure de la création contemporaine, Enki Bilal occupe depuis plus de cinquante ans une place singulière à la croisée de la bande dessinée, de la peinture, du cinéma et de l’art contemporain. Édité dans le cadre de l’ouverture du Fonds Enki Bilal, ce catalogue d’exposition constitue une publication de référence consacrée à son parcours, à son œuvre et à son évolution artistique. Richement illustré, l’ouvrage retrace les grandes étapes de la carrière de l’artiste, depuis ses premières bandes dessinées jusqu’à ses peintures, œuvres plastiques et projets cinématographique. Il met en perspective la construction d’un univers visuel et narratif puissant, marqué par des thématiques récurrentes telles que la mémoire, l’hybridation, l’identité ou encore les bouleversements du monde contemporain. Conçu comme un outil de compréhension et de transmission, le catalogue propose des analyses critiques qui éclairent la cohérence, la radicalité et l’influence de l’œuvre d’Enki Bilal, tout en rendant compte de son impact durable dans le champ de la bande dessinée et de l’art contemporain. Publié en édition bilingue français / anglais, cet ouvrage s’adresse à un public international et accompagne la constitution du Fonds Enki Bilal comme un moment clé de la reconnaissance patrimoniale et artistique.
La première aventure de Tintin en couleurs. Tintin au pays des Soviets reste le seul album de Tintin uniquement disponible à ce jour dans sa version noir et blanc. Créée en 1929 et restée introuvable en librairie jusqu'en 1973, cette première grande histoire marque la naissance de Tintin. C'est avec un plaisir presque enfantin, guidé par l'esprit du jeu et le désir de vitesse qu'Hergé s'adresse au lecteur dans cette course-poursuite où avions, voitures, trains, hors-bords et motos ! lent à toute allure. Si le dessin ne s'inscrit pas encore dans la perfection du style « ligne claire », le jeune auteur de 21 ans démontre déjà son habileté de romancier en images. Le sens dynamique du mouvement, la maîtrise de l'enchaînement des plans et la construction des pages expriment ce talent de raconter par l'image qui fera d'Hergé un grand maître
