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Nous sommes au début des années 1930, dans une petite ville de la côte ouest du Japon. NonNonBâ, une vieille dame mystique et superstitieuse, est accueillie dans la famille du jeune Shigeru. Encyclopédie vivante des croyances et légendes populaires de la région, elle abreuve l'imaginaire déja débordant du garçon d'histoires de monstres et de fantômes. Les yôkaï, ces créatures surnaturelles qui peuplent l'univers des hommes, deviennent vite les compagnons de rêveries quotidiens de Shigeru, qui trouve en eux d'excellents guides pour visiter les mondes invisibles. Si ces voyages l'aident à fuir et à comprendre les émotions parfois compliquées qui naissent dans son coeur, ils embrouillent aussi considérablement sa vie quotidienne : il est déjà bien assez difficile de savoir à qui se fier sans que des monstres bizarres et malicieux viennent s'en mêler...
Kyôto, 1966. Le jeune Hamaguchi, employé d'une société de textile en gros, n'a pas la fibre de la plupart des gens de son âge. Plutôt que de fréquenter les clubs de sport, il préfère assouvir sa passion du dessin en allant croquer sur le vif les animaux du zoo de la ville. Mais même ce dérivatif ne suffit pas à combattre l'ennui qu'il ressent. Dès l'année suivante, sollicité par un ami de lycée, Hamaguchi part pour la capitale, Tôkyô. C'est là, un peu par hasard, que sa route croise celle d'une communauté professionnelle un peu particulière: celle des auteurs de bande dessinée, les mangakas. Pour la première fois, Jirô Taniguchi opte pour un registre explicitement autobiographique, convoquant ses souvenirs de jeunesse et son parcours d'auteur. Un beau récit d'apprentissage en bande dessinée, où l'on retrouve la finesse et l'élégance qui ont fait le succès du maître japonais auprès des lecteurs de langue française.
Qui prend encore le temps, aujourd'hui, de grimper à un arbre, en pleine ville ? D'observer les oiseaux, ou de jouer dans les flaques d'eau après la pluie ? D'aller jusqu'à la mer pour lui rendre un coquillage dont on ne sait comment il est arrivé chez soi ? L'homme qui marche, que l'on apprend à connaitre à travers ses balades, souvent muettes et solitaires, rencontre parfois un autre promeneur avec qui partager, en silence, le bonheur de déambuler au hasard. Cette réédition de L’Homme qui marche, premier livre de Jirô Taniguchi jamais paru en langue française, a été réalisée pour célébrer le vingtième anniversaire de sa publication chez Casterman. Elle a fait l’objet d’une nouvelle traduction et d’une nouvelle adaptation graphique. Elle comporte en outre, pour la première fois, toutes les pages couleurs de la version originale et est augmentée de récits inédits.
