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Voici réunies, pour la première fois, l’intégralité des interviews accordées par René Goscinny aux médias francophone. Ce recueil constitue les mémoires qu’il n’a pas eues le temps d’écrire. Dans ces entretiens donnés à la presse écrite, à la radio, à la télévision, René Goscinny se raconte : son enfance entre Paris et l’Argentine, ses débuts à New York, la naissance d’Astérix, Lucky Luke, Iznogoud ou du Petit Nicolas, sa complicité avec Uderzo, Morris, Sempé, Tabary, Cabu, Gotlib, et bien sûr l’aventure du journal Pilote et des studios Idéfix.Truffées de bons mots et de formules comme il en avait le secret, ces textes se dégustent avec gourmandises et l’on prend toute la mesure du génie de cet humoriste qui aura été convoité par tous les journalistes : du modeste fanzine au journal Le Monde, de Bernard Pivot à Michel Drucker. Ce livre est une contribution décisive et incontournable à l'histoire de la bande dessinée. Avec ces 231 interviews, René Goscinny pose les fondations de ce qu’est aujourd’hui le « 9ème art » ouvrant ainsi la voie aux nouvelles générations d’auteurs et de lecteurs.
La première aventure de Tintin en couleurs. Tintin au pays des Soviets reste le seul album de Tintin uniquement disponible à ce jour dans sa version noir et blanc. Créée en 1929 et restée introuvable en librairie jusqu'en 1973, cette première grande histoire marque la naissance de Tintin. C'est avec un plaisir presque enfantin, guidé par l'esprit du jeu et le désir de vitesse qu'Hergé s'adresse au lecteur dans cette course-poursuite où avions, voitures, trains, hors-bords et motos ! lent à toute allure. Si le dessin ne s'inscrit pas encore dans la perfection du style « ligne claire », le jeune auteur de 21 ans démontre déjà son habileté de romancier en images. Le sens dynamique du mouvement, la maîtrise de l'enchaînement des plans et la construction des pages expriment ce talent de raconter par l'image qui fera d'Hergé un grand maître
Recueil collectif de BD initié par Thibault Balahy et produit par Café Creed. 22 personnes y questionnent la figure du monstre dans les différents domaines de la création. Qu'est ce qu'un montre ? Qu'est ce que le monstrueux ? De Jérôme Bosch à David Cronenberg en passant par Hayao Miyazaki, Art Monstre propose 20 réponses subjectives autour de 20 artistes marquants. Ce panorama, non exhaustif, permettra à chacun de découvrir ou redécouvrir des regards singuliers sur la part d'ombre de l'Art et de l'humain.
