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Non disponible (via Bubble)Résumé de l'album
Thèmes
Adaptation D'Œuvre Littéraire
A propos de cet album
Caractéristiques
Auteurs
Editeur
Imagine Graphic
Tome
0/1
Date de parution
26 août 2026
ISBN/EAN
9782488205030
Nombre de pages
480
Poids
-
Format
15.1 x 23.5 x 2.9 cm
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Alors que la bataille attendue depuis des semaines est annoncée pour demain, le jeune Henry Fleming, un volontaire de 18 ans engagé dans l'infanterie nordiste, est rattrapé par le doute. Il se remémore sa dernière discussion avec sa mère, qui désapprouvait sa décision. Il partage également ses craintes avec son camarade de chambrée, Jim Conklin. Ce solide Gaillard le rassure en répondant qu'il pourrait lui aussi fuir le champ de bataille si d'autres compagnons d'armes en faisaient de même. Alors le lendemain, lorsque le combat éclate dans les plaines de Virginie, que plusieurs soldats désertent le combat et que la défaite semble certaine, Henry ne sait que faire. Après le succès de Cinq branches de coton noir, Steve Cuzor continue d'explorer les grands motifs de la mythologie américaine. En adaptant librement le monument de la littérature américaine, The Red Badge of Courage de Stephen Crane, il s'attarde plus particulièrement à déconstruire la notion d'héroïsme.
« Je suis venu ici pour disparaître, dans ce hameau abandonné et désert dont je suis le seul habitant ». Le récit d'Antonio Moresco met en scène un homme vieillissant qui a décidé de s'extraire du monde. Mais chaque soir, une petite lumière perce sa solitude... Grégory Panaccione démontre une fois encore son étonnante capacité à exprimer graphiquement une écriture, la plus singulière soit-elle.
Quand le maître italien du Neuvième art revisite le chef-d’œuvre d’Umberto Eco.En l'an 1327, dans une abbaye bénédictine du nord de l'Italie, plusieurs moines sont retrouvés morts. Pour mettre un terme à ces inquiétantes disparitions avant l’arrivée d’une importante délégation de l’Église, le frère Guillaume de Baskerville tente de lever le voile sur ce mystère qui attise toutes les superstitions. Assisté par son jeune secrétaire Adso de Melk, il va progressivement percer à jour les troubles secrets de la congrégation, et se heurter à la ferme interdiction d’approcher la bibliothèque de l’édifice. Pourtant, Baskerville en est persuadé, quelque chose se trame entre ses murs. Et bientôt, à la demande du pape, l'inquisiteur Bernardo Gui se rend à son tour au monastère et s'immisce dans l’enquête. Les morts s’accumulent et la foi n’est d’aucun secours…Événement ! Milo Manara s’attelle à l’adaptation en deux tomes du chef d’œuvre d’Umberto Eco, vendu à plusieurs millions d’exemplaires et traduit en 43 langues. Après Jean-Jacques Annaud au cinéma (1986), c’est un nouvel artiste de prestige qui s’empare du célébrissime polar médiéval. À la demande des héritiers Eco, Manara a eu carte blanche pour donner sa vision de l’œuvre, et a pour cela choisi un triple parti pris graphique très audacieux. Son adaptation s’ouvre en effet sur Umberto Eco lui-même s’adressant au lecteur, dessiné dans un noir et blanc classique. Puis commence l’intrigue médiévale elle-même, et là Manara renoue avec le noir et blanc au lavis, rehaussé d’effets de matières et de modelés qu’il a déjà utilisé pour Le Caravage. Enfin, chacun sait que les livres tiennent un rôle fondamental dans l’intrigue, et Manara s’amuse donc de temps à autre à recréer des enluminures d’époque, réalisées à la manière des moines copistes du Moyen Âge. L’ensemble est mis en couleurs par la propre fille de Manara sous la supervision de son père, là aussi selon la même méthode qui a présidé à la réalisation du Caravage.
