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Les deux personnages de cette histoire se nomment Héro et Héroïne. Leur identité est incertaine. Ils vont s’engouffrer dans une quête, celle des Arouchak, une peuplade qui aurait atteint l’idéal érotique. C’est une quête du plaisir, une quête fantasmée dans un orient imaginaire. On cite Kipling, dans cet orient où l’on tisse des tapis pour les touristes, tellement mythique qu'on vient à douter de son existence, comme de celle des Arouchak. Cette altération du monde se joue sur un mode euphorique, psychédélique et heureux, surtout au moment où Mescal et Mescaline absorbent des champignons pour avancer dans leur quête.
Dans ce livre, on pourra voir que je ne fais pas trop de cases, que j'aime bien dessiner le carrelage, que le personnage principal (qui s'apparente quelque peu à un genre de moi-même) n'a pas toujours la même tête. Qu'il y a aussi des monstres, parce que c'est marrant à dessiner, que les portes et les fenêtres des immeubles sont beaucoup trop petites par rapport aux personnages, (mais j'ai pas le choix, sinon ça ne rentre pas dans la page). Et que j'aime bien les concerts DIY, mais que J'ai une carte d'abonnement pour les cinémas multiplex.
En Afrique australe, dans une Taverna de Lourenço Marques, un vieil alcoolique raconte sa vie à un serveur indigène. Eduardo est un jeune mozambicain assoiffé de connaissances qui cherche à comprendre la puissance des blancs, tandis que Capitão est un ancien missionnaire suisse qui a perdu la foi en sa mission. Pourtant leur rencontre va changer l'Histoire, car le jeune serveur n'est autre qu'Eduardo Mondlane qui deviendra le leader de la révolution et libérera le Mozambique de la domination portugaise. Au travers de leur échange, ce sont cent ans d'influence missionnaire suisse au Mozambique et les réalités d'une vie quotidienne difficile qui sont racontées. Cette bande dessinée s'inspire de la vie des missionnaires suisses tels que André Clerc et Henri-Alexandre Junod, mais surtout de Georges-Louis Liengme, qui a notamment été le médecin du dernier empereur Zoulou Gungunhane capturé par les Portugais après une guerre d'usure de plusieurs années. La bande dessinée comporte un feuillet historique pour permettre au lecteur de séparer la fiction de l'Histoire. De plus, la sortie de l'album sera accompagnée d'une exposition "Derrière les cases de la Mission" à l'espace Arlaud à Lausanne du 30 Août au 17 Novembre 2019, ainsi que de la publication du journal de Liengme, enrichi d'un appareil critique réalisé par l'historien Eric Morier-Genoud.
