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Satire sociale ? Conte philosophique ? Saga surréaliste ? Le Bibendum Céleste est tout cela. Mais au travers de ce métissage de genres, on devine également une audacieuse recherche artistique qui ridiculise, si le besoin s’en faisait encore sentir, l’acception souvent péjorative de ce « divertissement culturel populaire » qu’est (...) Voir le commentaire
L'éclat de la menace Que se passe-t-il à Fortville ? Pourquoi tous les habitants ont-ils mystérieusement disparu ? Pourquoi Yvan, Leïla, Camille, Terry et Dodji ont-ils été épargnés et se retrouvent-ils seuls, livrés à eux-mêmes dans cette grande ville vide ? Mais sont-ils vraiment SEULS ? Des peluches désarticulées ou sauvagement attachées avec des barbelés sont découvertes. De mystérieux cliquetis se font entendre. Une silhouette brillant d'étranges éclats apparaît furtivement à une fenêtre. Vehlmann et Gazzotti nous livrent un second tome truffé d'angoisse et de mystère.
Nike J'ai 10 jours, je me souviens... L'explosion terrible qui déchire le ciel de nuit et fait pleuvoir dans l'hôpital n'est ni un tir de mortier, ni un tir d'artillerie, ni une bombe... C'est un coup de tonnerre de mon tout premier orage. Une colère du ciel qui me rassure, autrement plus impressionnante que le feu des hommes... Car je suis un orphelin de dix jours, heureux de sentir la nature plus forte qu'eux. Ce même jour J.10, une infirmière dépose un paquet dans le grand lit blanc, entre Amir et moi. Ce paquet de quelques heures à peine s'appelle Leyla Mirkovic... Pour la première fois, nous voici réunis tous les trois. Nos têtes encastrées les unes dans les autres et nos corps tendus comme les branches d'une étoile... Je me mets à l'écoute des bruits de nos vies. Je suis l'aîné vieux de dix jours, l'orphelin heureux qui aime Leyla, qui aime Amir et qui aime le bruit du ciel en colère. La tétralogie du Monstre est une histoire à trois voix. Celles de Nike, Leyla et Amir, orphelins de Sarajevo aux quatre coins du monde. Il s'agit avant tout d'un travail sur la mémoire. Mémoire individuelle et collective, où se mêlent des images écrites de l'éclatement de la Yougoslavie, « lieu » de naissance d'Enki Bilal (pays à peine disloqué que déjà sorti des mémoires), et des images peintes d'une entêtante conjugaison passé-présent-futur. Mémoire prospective aussi, potentielle, élargie des Balkans au reste du monde, comme dans un miroir. Ce monde, seul endroit, il faut bien le dire, qui nous reste.
Après une formation impitoyable, et alors qu'ils étaient encore enfants, ils ont quitté Aberlaas, la cité des confins. Leur mission : marcher d'ouest en est jusqu'à atteindre l'Extrême-Amont, source mythique du vent qui balaye leur monde jour et nuit, sans trêve ni répit. Ils sont la 34e Horde du Contrevent. Golgoth ouvre la marche ; derrière lui, Sov, le scribe, sur les épaules duquel l'avenir de la Horde tout entière va bientôt reposer...
