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"on m'appelle soda, mais mon vrai nom, c'est solomon. David elliot hanneth solomon. si elle savait, ma mère vous dirait sans doute que je suis policier, mais à new york, il n'y a pas de policiers, juste des flics. de toute façon, elle ne sait pas, ça l'inquiéterait, elle m'a toujours cru pasteur... depuis l'an dernier, elle habite avec moi ; elle ne sort jamais et ne lit pas les journaux qui sont pleins de violence. c'est pas plus mal : les types que j'arrête sont parfois un peu morts..."
Quand Jacob Montsouris est enlevé par le mystérieux Panthéon, une organisation secrète aux desseins obscurs, son épouse Louise refuse de rester sans agir. Déterminée à le retrouver avant qu’il ne soit trop tard, elle se lance dans une enquête aussi dangereuse qu’effrénée. Pour mener cette course contre la montre, elle s’allie à Jeanne Batignolles, une jeune aventurière aussi séduisante qu’imprévisible. Ensemble, les deux héroïnes, aidées par leurs alliés, vont traverser un Paris tentaculaire et magnifié, entre ruelles pavées, machines à vapeur, zeppelins et poursuites à toute vitesse. À chaque coin de rue, le danger guette… et derrière chaque indice semble se cacher un secret plus grand encore. Mais qui se cache donc derrière cette organisation secrète ?
Hollywood, fin des années 1940.Un duo de producteurs excédés, une actrice énervée et un réalisateur pas net. Il y a eu un meurtre sur le plateau ! Intervient alors Miss X, enquêtrice perspicace et caustique, qui va remonter la trace de l’assassin féru de peinture et de 7e Art, indice après indice… Portée par une élégante ligne claire, La Femme au portait, est polar à clés, chausse-trappes et fausses pistes en forme d’hommage à l’âge d’or du cinéma américain.
