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Qui prend encore le temps, aujourd'hui, de grimper à un arbre, en pleine ville ? D'observer les oiseaux, ou de jouer dans les flaques d'eau après la pluie ? D'aller jusqu'à la mer pour lui rendre un coquillage dont on ne sait comment il est arrivé chez soi ? L'homme qui marche, que l'on apprend à connaitre à travers ses balades, souvent muettes et solitaires, rencontre parfois un autre promeneur avec qui partager, en silence, le bonheur de déambuler au hasard. Cette réédition de L’Homme qui marche, premier livre de Jirô Taniguchi jamais paru en langue française, a été réalisée pour célébrer le vingtième anniversaire de sa publication chez Casterman. Elle a fait l’objet d’une nouvelle traduction et d’une nouvelle adaptation graphique. Elle comporte en outre, pour la première fois, toutes les pages couleurs de la version originale et est augmentée de récits inédits.
Un accident de la route comme possibilité, au-delà de la mort, de dire enfin aux membres de sa famille, ces « proches si lointains », tout ce qu’on aurait dû leur confier au lieu de laisser la vie nous emprisonner dans un rôle. Sur un schéma narratif voisin de celui de Quartier lointain, avec un point de départ fantastique et un traitement résolument réaliste, Jirô Taniguchi explore avec la délicatesse qu’on lui connait les thèmes de la famille et de l’amour, que l’on est souvent trop maladroit pour transmettre et trop égoïste pour recevoir.
Au terme d'un voyage collectif en Europe, un dessinateur japonais fait étape en solitaire à Paris, dans l'idée de visiter les musées de la capitale. Mais, cloué au lit de sa chambre d'hôtel par une fièvre insidieuse, il se trouve confronté avant tout à une forme de solitude absolue, celle des souffrants en terre étrangère, privés de tout recours immédiat au coeur de l'inconnu. Alors que le mal lui laisse quelque répit, il met son projet à exécution, et se perd dans les allées bondées du Louvre. Très vite, il va découvrir bien des facettes insoupçonnées de ce musée-monde, à la rencontre d'oeuvres et d'artistes de diverses époques, au cours d'un périple oscillant entre rêve et réalité, qui le mènera pour finir à la croisée des chemins entre tragédie collective et histoire personnelle.Lecture en sens japonais : de droite à gauche.
